Armonía modal

Cadencia andaluza

 

Tocar por arriba     (La-Sol-Fa-Mi)

Tocar por medio     (Re-Do-Si-La)

 

La armonía más característica del flamenco es la modal, basada en la armonización de los cuatros grados correspondientes al modo frigio o modo de Mi. El flamenco se precipita por una sucesión armónica peculiar que se ha dado en llamar Cadencia Andaluza, tocando por arriba, seria:

 

La – Sol – Fa – Mi.

4º – 3º –  2º – 1º.

 

 

Tocando por medio;

 

Re – DO – Si – La.

1º –   2º –   3º – 4º.

 

 

Muchos palos se tocan sobre una matriz cíclica y armónica de acordes que forman ruedas sobre las que la voz tiene que cabalgar acompasadamente.

 

La escala modal del flamenco se basa en “El modo de Mí”, consiste en dos octavas, cuatro tetracordios y dos tonos en diversa posición. Estos tonos son descendentes.

 

Mi-Re-Do-Si

 

La-Sol-Fa-Mi.

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